One of the most exciting aspects of presenting performers to the community is the opportunity to offer an event that connects artists working together for the first time. Artists are constantly creating and reinventing themselves, and when they are in the midst of a new path, they are as excited as the audience.
Such is the case when Pedrito Martinez and Alfredo Rodriguez come to campus on Jan. 24 for the Great Performance Series. Both artists are highly acclaimed jazz musicians now working together for the first time. Not only will the audience see two leaders in Cuban jazz on stage, but they also get to see them building on each other’s skills and experience.
What makes this even more interesting is that the two men come from different backgrounds and experiences. Pianist Rodriguez, who is younger than Martinez by more than a decade, was a child prodigy who studied classical piano at the prestigious Conservatorio Amadeo Roldán and Instituto Superior de Arte. In the midst of this classical education, he was playing popular music in his father’s orchestra by night. While performing at the Montreux Jazz Festival in 2006 he was discovered by his future mentor and producer, the legendary Quincy Jones.
Martinez, meanwhile, was honing his craft on the streets of Havana, learning the deeply-rooted percussion and vocal style of Afro-Cuban folkloric and religious music. He brought his voice and percussion skills to the U.S. in 1998 and was soon awarded First Place at the Thelonious Monk Institute of Jazz International Afro-Latin Hand Drum Competition, and appeared in the documentary film, “Calle 54.” He co-founded and recorded several albums with the Latin fusion group, Yerba Buena, and begin fielding requests from Wynton Marsalis (who calls Pedrito “a genius,”) Eric Clapton, Sting, Bruce Springsteen, Paul Simon, Angelique Kidjo, Chucho Valdés, and James Taylor. He created his own quartet in 2005 and in 2013 received a Grammy nomination.
Although they worked together on Rodriguez’s 2012 album, this new venture lets them work together in a new format. The Wall Street Journal notes that “When Messrs. Rodriguez and Martinez first performed as a duo at Manhattan’s Jazz Standard two years ago, their deep rapport and shared joy was evident. So was their intention to combine the traditions of their native island, Cuba, and their tantalizing technical skills into something accessible yet, beneath the surface, complex. “
Their 2019 album, Duologue, is winning plenty of praise. Jazz Times says “the true beauty of Duologue is the sheer joy that spills forth from every note that Rodríguez and Martinez play together. Their styles blend to create songs with aching lyricism, watercolor soundscapes that are driven by captivating mambo grooves.”
And now, at Hope College, we have the chance to see this great combination play out live on stage. Plus, our students get to participate in a workshop with both artists, something all of our visiting artists do. The concert is Jan. 24 at 7:30 p.m. in the Concert Hall at the Jack H. Miller Center. You can purchase your reserved seats online or by calling 616-395-7890.
Pedrito’s drumming is great (no sticks is a cool style). I’m not much for the music as a genre, but the rhythm is really catchy and I love that percussive playing style. Thanks for highlighting, Derek.